AARON BAKER

aaron@aajbaker.com

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eye-photo-diagram

To understand one thing it's often helpful to explain it in terms of another. These two devices, a 35mm camera and a human eye, share a lot of qualities. They both find ways to manupulate light given a set of environmental conditions to render an image. Their shared goals and constraints give rise to similar mechanisms. There are clearly some significant differences between the two systems, and something may be lost by trying to think of the eye in terms of the camera, but it can also be enlightening.

For me, it's easier to understand the camera, and I can translate that understanding to the eye. In using it, I can manipulate the camera deliberately to see how the different components contibute to the end result. Using this model––the camera––to describe the target system––the eye––is worthwhile so long as it's useful. If it misses something crucial, then a new model might be warranted.

In this way, computational models help me understand cognition.

Olympus XA
This was the first film camera I decided to buy, and I did it in the name of versatility. It's got a sharp lens and rangefinder focusing in a crazy compact design. As it turns out, the apature priority is a bit of a bummer for the small handheld camera, especially because the light meter doesn't indicate the correct shutter speed. That being said, for a camera that you can bring anywhere, it can really deliver.
Olympus XA
Kodak Gold 200 – July 2021
Kodak Gold 200 – June 2021
Ilford 100 – March 2021
Olympus OM-1
After deciding I wanted to shoot an SLR, I headed to the local shop to see what used goods they had. Among the collection was the OM-1, which I figured would make a logical pair with the XA (both cameras were designed by Yoshihisa Maitani). The camera is a pretty traditional, yet compact, SLR. A particularly beatiful thing about this camera is the wildly bright viewfinder, which is *almost* prittier than the photos themselves.
Olympus OM-1
Kodak Gold 200 – July 2021
Fuji 400 – June 2021